Recent Posts

Thursday, October 27, 2005

HOME TEAM


Richard Greenberg's A Naked Girl on the Appian Way opened at the Roundabout Theatre Company October 6 and stars Jill Clayburgh, Richard Thomas and Matthew Morrison. Of interesting note, Appian Way is the first of Greenberg's plays to hit Broadway this season. Julia Roberts will make her Broadway debut in Greenberg's Three Days of Rain at Lincoln Center Theater in March 2006.

Morrison, who is making his straight play debut as Thad Lapin in Appian Way hails from the same hometown the in "The OC" as your truly. Though I am not always a huge fan of the county in which I grew up, I still find some sort of pride when I hear someone from the 'hood is "making it" on Broadway. Greenberg's play is the 4th Broadway show for Morrison who has been seen as Fabrizio Naccarelli in The Light in the Piazza at The Lincoln Center Theatre (Tony Nomination) as well as Hairspray (as Link Larkin), Footloose and The Rocky Horror Show. A life on Broadway was a dream for Morrison who first discovered his love of musical theatre after being "thrown" into a musical theatre day camp to occupy his time while visiting family in Arizona. Morrison then went on to the prestigious Orange County High School of the Arts (which coincidentally at the time was housed on the campus of one of my rival high schools). While attending OCHSA, Morrison befriended future Broadway star, Megan McGinnis (Little Women on Broadway) who hailed from Pasadena, Calif. (not entirely important, but really just another reference to those Broadway folks who hail from SoCal).

After high school, Morrison headed for New York where he attended NYU's Tisch School of the Arts where he remained for only two years. It was then that he was cast in the touring production of Footloose (the show eventually landed him on Broadway). Soon after Footloose Morrison was cast in the forgettable film, Marci X (as a member of a boy band called Boyz R Us) which also starred noteable Broadway performers, Jane Krakowski, Christine Baranski, Charles Kimbrough, Veanne Cox and Sherie Rene Scott as well as Lisa Kudrow and Damon Wayans. With a cast like the aforementioned, one would think the film couldn't be that bad. Just look at the film's tagline and that should explain enough: Hip hop meets shop til you drop. Enough said.

Unfortunately life began to imitate art when Morrison signed on as a member of the pitiful boy-band, LMNT (otherwise known to Morrison as "lament") with the rejects from the original Making the Band -- Ikaika and Bryan Chan (who not only was a fellow Gaucho, but was a fellow member of my college's Gospel Choir). Embarrassed of his affiliation with the group, Morrison quickly dropped out prior to the group's debut album was released and found his way back to the New York stage. Not long after, Morrison found his way back to the Great White Way and after a few notable shows, he landed the role in The Light in the Piazza that would garner him a Tony Nomination. I stumbled upon the music from The Light in the Piazza on Nonesuch Records website as I was preparing a CD order from some of the shows I had just seen on a recent trip to NYC. Instantly I fell in love with the show after hearing Kelli O'Hara and Morrison's duet, Say It Somehow.

Adam Guettel's The Light in the Piazza is the first musical in a really long time that really struck a chord with me. There is something in the story and the music that is so beautiful and expressive and unlike anything I heard in quite a long time. True to my behavior, I of course became consumed by this music and interested in the people involved with the show (which is obviously how I stumbled upon the info that Morrison was from my hometown). The last show that instantly intrigued me in this way was Sondheim's Passion (a comparison critic Eric Grode also makes in his review). I guess I have an affinity for chamber musicals. I have repeatedly been playing this show on my iPod and am saddened that I won't have the opportunity to see the show with the original cast on Broadway as several of the actors have since left (including Morrison and O'Hara who announced her impending departure from the show today).

Where is this post going? I suppose since I haven't written in awhile, I have so many thoughts and keep going out on a tangent more than I should. I was prompted to write this post based on an audio slideshow feature the New York Times had yesterday narrated by Morrison discussing the difference between performing in plays and musicals. Very interesting. Though I love The Light in the Piazza, this post isn't about that, but rather how interesting it is (to me), the number of successful Broadway folks who hail from just around the corner from where I grew up.

On that note, Morrison is not the only OCHSA alumnus who found "fame" and success in New York. Other successful Broadway actors include Stephanie J. Block and Susan Egan (who also devoted a year away from her career to assume the position of interim Artistic Director at OCHSA) and John Stamos (not an OCHSA student, but attended another of my rival high schools). As for Stamos and Morrison, who knew such talent was cultivated in a little town that some think is a little island off the coast of Greece.

Sunday, October 16, 2005

FREEDOM CALLING

I came upon this article recently (courtesy of my Dad) regarding new devices that help the blind cross the "tech divide." This topic is of particular importance to me, as most of you know my mother is blind. What everyone should note is that she has always been an over-achiever, always interested in what is new and fascinating and never wanting to feel different just because she can't see. Regardless of whether other visually impaired people think as my mom does is not the point because everyone should be given equal opportunities despite any handicaps they may have.

* * *

Jerry Swerdlick runs a 15-employee company that resells computers and devices that aid people with visual, hearing, learning and other physical disabilities.

Business is really booming these days, Swerdlick said, as more and more manufacturers are building so-called assistive technology gadgets to address a wide range of special needs groups.

And while he takes bigger and bigger orders from his clients, the mere fact that he is able to spend many hours on the computer is a testament to how far assistive technology designs have come in recent years.

That's because Swerdlick is legally blind.

"I can't see out of one eye and I've got 20/2400 vision in the other. When the doctor asks me to read the chart on the wall, I tell him, "I can't even see the wall much less the chart,'" Swerdlick joked.

He started his company, Electronic Vision Access Solutions (EVAS), in Westerly, R.I., 26 years ago. In the early days, he went door to door with his wife selling a camera that when hooked up to a speech synthesizer could read aloud what appeared in print. EVAS has gone on to improve its speech synthesizers and contribute bits to things like software that makes print appear larger.

In July, EVAS started work on what will be the first of four one-year contracts with Dell to provide technology for disabled veterans through the U.S. Department of Veterans Affairs. About 1,000 veterans participating in rehabilitation programs for the blind will receive customized Dell OptiPlex computers, monitors, printers and scanners. The PCs are shipped with both large print and Braille guides for quick, easy setup and outfitted with software and peripherals.

Swerdlick's EVAS is part of a $5.4 billion assistive technology industry, according to the Smithsonian Institution. That's nearly double market estimates six years ago.

The market itself is broad. Some of the devices that are becoming increasingly common include Braille-based handheld devices with text-to-speech technology, tactile keyboards with oversize characters, and pointing devices that control PCs with a movement of an eyebrow.

An aging population in industrialized countries combined with a government effort to satisfy more special needs groups is lighting a fire under this industry, which adds 10 to 20 new companies every year, Assistive Technology Industry Association (ATIA) executive director David Dikter said. The Chicago-based nonprofit advocacy group advises companies and government agencies.

"I think what is happening in the handheld market is pretty dynamic with its huge focus on the blind, visually and hearing-impaired," Dikter said. "A person who has been diagnosed with Parkinson's or even had a stroke can find technologies that allow them to have speech output. That is powerful, if you think about it. If you are 50 years old and your disability caused you not to be able to speak, this technology creates an independence that lets them go into a bank."

There's a huge need for these products. The World Health Organization estimates that between 750 million and 1 billion of the world's 6 billion people deal with some form of speech, vision, mobility, hearing or cognitive impairment.

In the United States alone, more than 54 million people have some sort of disability, according to census figures released in 2002. That's likely to go up as the 76 million baby boomers born between 1946 and 1964 get ready to retire.

Microsoft, for one, has been taking a hard look at the issue. In addition to numerous studies, the software giant recently released a royalty-free software license called the Microsoft Windows User Interface Automation, which helps modify Microsoft Word, Excel, or third-party applications with screen readers, screen enlargers and other alternative inputs.

Besides Microsoft, other well-known tech companies are also working on assistive technology. Apple Computer, Adobe and IBM have been working on speech recognition and screen enlargement software for their various applications. Apple, IBM, Hewlett-Packard and Dell have offered technical support to third-party companies working on assistive technology hardware. The computer makers have also adapted their PCs, laptops and PDAs to include large, recognizable keys and plug-and-play USB ports that support various peripherals.

Smaller companies such as Freedom Scientific, HumanWare AgentSheets, WizCom Tecnologies, Digital Lifestyle Outfitters and DynaVox are also among the hundreds of assistive technology companies that the ATIA endorses.

"In some ways the mainstream movement of assistive devices is similar to the convergence of computers and consumer electronics devices," Dikter said. "For someone who is blind, there is adaptive software that can let the cell phone talk. Previously, they would have had to carry a couple of devices with them."

Some recent product examples include:

• Refreshable Braille displays such as ones made by Blazie Engineering, of Middlesex, England, provide tactile displays of information represented on the computer screen. A Braille "cell" is composed of a series of dots. The pattern of the dots and various combinations of the cells are used in place of letters. Refreshable Braille displays mechanically lift small rounded plastic or metal pins as needed to form Braille characters. The user reads the Braille letters with his or her fingers, and then, after a line is read, can refresh the display to read the next line. The technology is finding its way into handheld devices such as the PC Mate, which has a $2,022 starting price.

• HumanWare, in Quebec, Canada, has created the Trekker, a lightweight travel tool for the blind that uses an HP iPaq digital music player as a platform to provide the user with a talking personal guide. Weighing 1.3 pounds and equipped with an onboard microphone and a Braille touch screen, Trekker is the first global positioning system-based portable product offering digital maps for the visually impaired. It keeps pace with the user, announcing street names, intersections, addresses, stores, restaurants and area attractions as they come. Pressing a "Where am I?" key pinpoints the user's location. The units are available through distributors and cost $1,595 for the hardware, with local maps starting at $55.

• AgentSheets, in Boulder, Colo., is a software company that uses the iPaq handheld as the basis for a device that helps people with disabilities use public transit systems. The system tracks GPS-equipped buses, alerts the passenger when the correct bus approaches, helps the passenger on board through audio and visual cues, and reminds the passenger when the bus reaches the right stop.

• Eatoni, based in New York City, has developed a system that allows people with vision problems to read e-mail on their cell phones. The Eatoni software is based on Binary Runtime Environment for Wireless (BREW) technology, which was developed by Qualcomm. The software reduces the number of keystrokes used to type text on a telephone keypad. It also can increase the font size of words appearing on a phone's screen.

• Enkidu Research, a subsidiary of DynaVox Technologies, has developed the Palmtop Impact. The portable communication device is designed to help people who are unable to speak. A user can touch letters, words, phrases or even picture symbols on a handheld touch screen, which are then converted into loud, clear speech. It costs $3,295.

Government intervention has certainly helped this industry grow, and that's where Swerdlick said his company comes in. He said 90 percent of his business comes from federal and state government customers, including New York, Maryland, Hawaii and Alabama. The remainder is split equally between corporate clients and individual purchases.

Like some of his customers, Swerdlick is hopeful that another generation of technologies can do more--perhaps something as seemingly obvious as making speech recognition and voice reproduction technologies sound like real people.

"We see, but we see in different ways," Swerdlick said of people with disabilities. "We hear, but we hear in different ways."


What's new:
More companies are making technology easier to use for people with disabilities.

Bottom line:
With baby boomers retiring, an already multibillion dollar industry is growing. People with visual, physical, hearing or learning disabilities now have plenty of products to choose from to help them interact with gadgets and the Internet.

More stories on this topic

Wednesday, October 12, 2005

BLACK COFFEE

As with millions of other people who have fallen victim to them, I am completely and utterly under the spell of Starbucks. Sad, but true. Last week, I went everyday for my usual: venti, iced Americano (and that stuff is hard core), unsweetened...no room. I can't seem to get through the work day without going to Starbucks between 2-3 p.m. for my drink. I've started a viscous cycle -- Monday: dead tired, go through half the day still dead. Come home at lunch and take a 30 minute nap, go to Starbucks, regain energy, can't sleep at night, go to bed REALLY late because of the effects of the Americano and then do the same thing the rest of the week. The sad thing is that I drink regular coffee in the mornings to wake up...but that doesn't seem help me out by the time the middle of the afternoon rolls around. All of it...bad. Maybe I'll stop drinking the potent Americanos and just have an iced tea instead. Nah, I tried that once before and that didn't work too well.

For SUPER strong coffee, skip Starbucks and go to Peet's instead. Just smelling their coffee makes me hyper (their iced tea too...is WAY strong and strangely doesn't taste much like tea...takes like weak coffee). I make Peet's at home, but not nearly as strong as they do in their stores. Sometimes, I make it just a tad stronger and seriously it makes me feel intoxicated. I once made the mistake of drinking 6 big cups of Peet's coffee at my great-aunt's house with my mom. Neither my mom nor my great-aunt are particularly calm people -- both being pretty outgoing and chatty by nature...and I realize I'm not a particularly quiet person all the time, nor am I ever quiet when caffeine-intoxicated. So... combine my 80-something year old great-aunt, my mom & I amped up on caffeine and look out world!!!

Ok fine, that was my brief but pathetic commentary on the bad (yet fun) effects of caffeine. Now, I will go prepare my coffee maker to brew me some "life-juice" for tomorrow morning. The viscous cycle never ends...oh well!

Tuesday, October 11, 2005

NO MORE

Oprah is changing the world one step at a time, one person at a time. She uses her fame and publicity for good...to help not only women, but society see that they are worth something. She teaches self-confidence -- something we all struggle with at some point in our lives, literacy, philanthrophy, financial freedom, emotional understanding, relationships, mind and body because I think she does care about the future of our society. I really do believe that despite her fame and fortune, she has seen hard times in her life and knows what it is like to struggle. Oprah, I believe, unites humanity through her heart and good-will with the hope of somehow positively affecting one person, which leads to two and then multiplies affecting as many as possible.

The most heartbreaking moment I have seen on TV in a long time was when Oprah united women whose families were violated by a child predator with the two women who turned in the molestor. Oprah is using her own tragedy of being molested for the first four years of her life by various men, to heal in her own way, by making it her mission in life to put away these predators. She is using her television show as a forum to help bring awareness to this tragedy, to change the law, change the world and protect children. She makes me believe there is hope in the world for some goodness.

I believe that Oprah can change the world...she is saving children, saving their lives and saving the future of our society, one person at a time.

* * *
The following story comes from Oprah's website, from the show, October 4, 2005: Kidnapped by a Pedophile: The Shasta Groene Tragedy. Please note that the story is heartbreaking...read it so you know what goes on in our country...read it to help children.

America's Shame:

You see it regularly on nightly newscasts, innocent children abducted, raped and murdered. Polly Klaas, Megan Kanka, Carlie Brucia, Jessica Lunsford, Amber Hagerman, Samantha Runnion—all brutally tortured and killed by sexual predators.

"I have had enough. With every breath in my body, whatever it takes and, most importantly, with you by my side, we are going to move heaven and earth to stop an evil that's been going on for far too long," says Oprah. "The children of this nation are being stolen, raped, tortured and killed by sexual predators who are walking right into your homes. How many times does it have to happen? How many children must be sacrificed? What price are we willing to pay before we take to the streets and say, 'Enough!'"

On May 16, sheriffs arrive at a sinister crime scene in Coeur d'Alene, Idaho. There they discover the bludgeoned bodies of Brenda Groene, her boyfriend, Mark McKenzie, and her 13-year-old son Slade. The horror is magnified as Brenda's ex-husband, Steve, is hit with more gut-wrenching news: his youngest children, 9-year-old Dylan and 8-year-old Shasta, are missing. Within hours, a nationwide search is underway for the children and the depraved predator who killed their family.

Six agonizing weeks after the murders, a surveillance camera captures Shasta in a convenience store with a man named Joseph Duncan. Later that night, Duncan enters a Denny's restaurant with Shasta. The manager calls 911. Within minutes, police descend upon the restaurant and capture Joseph Duncan. Two days later, detectives find young Dylan's charred remains at a remote Montana campsite.

The police report of Shasta's ordeal is a parent's living hell. Shasta told police that she was in bed when her mother woke her up and told her to come to the living room. Her mother, mother's boyfriend, and 13-year-old brother Slade were bound with zip ties and duct tape while Shasta watched. Then she and Dylan were tied up outside near a swing set. She told police that she could hear screams from inside the house as the three were bludgeoned to death.

Shasta says that she was taken to a remote campsite in the mountains. Shasta said Joseph Duncan bragged to her about the killings. Shasta said he even showed her the hammer that he had used to bludgeon her family. Shasta told police that she was repeatedly sexually molested.

They also learn that Joseph Duncan has an appalling record of violent sexual crimes against children.

Joseph Duncan's story begins in Tacoma, Washington, where he first showed signs of disturbing deviant behavior. At the age of 16, Duncan was accused of raping a younger boy at gunpoint. Duncan was sent to a mental hospital for treatment, but he refused to cooperate and was sentenced to a maximum of 20 years in jail. He only served 12 years before being released on parole.

Duncan was classified as a Level III sex offender, the most dangerous and likely to re-offend. At first he followed the rules, reporting regularly to his parole officer—but after two years, he slipped from sight. For months Duncan lived on the run, bouncing from state to state. Authorities believe that during this time he may have killed two girls in Seattle and raped and murdered a 10-year-old boy in California. When police finally caught up with Duncan in Missouri, they threw him in jail for violating parole. Four years later, he was out again.

Duncan settled in Fargo, North Dakota, registering as a sex offender as Megan's Law requires. Then, at a school playground in Minnesota, a man matching Duncan's description molested two young boys. Police suspected Duncan of the crime, and he was arrested and appeared before Judge Thomas Schrader. Despite Duncan's chilling record of sexual violence against children and his history of violating parole, Judge Schrader set bail at just $15,000—the judge claims he never knew the full extent of Duncan's sadistic past—and Duncan wrote a personal check and walked out of jail a free man. The online diary Duncan maintained began to read like postcards from hell: "It is a battle between me and my demons," he wrote. "I'm afraid…if they win, then a lot of people will be badly hurt."

Shasta's father, Steven Groene, says that Shasta is in generally good health and has returned to her regular activities. "She's been riding horses a lot," he says, "and swimming and playing with her friends. A county fair was just in town so she did that a couple days, and she's getting ready to go back to school." Steve says that he is working with therapists and prosecutors to handle Shasta's recovery as sensitively as possible.

Recently, Steve sat in the courtroom with Joseph Duncan to witness his not guilty plea." [The not guilty plea] was pretty much anticipated by everybody," Steve says. "It's a death penalty case, so it was highly unlikely he was going to go in there and say, 'Guilty.' The thing that bothered me the most is that he didn't speak at all. His lawyers did all the talking for him."

Prosecutors are seeking the death penalty for Joseph Duncan. "I believe that's what is deserved in this case," Steve says, "and I am a believer in the death penalty. I believe if you take somebody's life, you should give yours in return. This guy took four lives and, unfortunately, we can only kill him once."

In February 2005, Jessica Lunsford became yet another victim to this evil sickness. Jessica, who we came to know as the adorable girl in the pretty pink hat, was reportedly taken from her bedroom, raped and buried alive just steps away from her home.

The alleged killer, convicted sex offender John Couey, was living right across the street. Jessica's heartbroken father, Mark, remembers two of his daughter's most prized possessions: her pink hat and her stuffed dolphin.

"It was purple and it had a white belly and when he took her out of here, he let her take her dolphin with her. And when they found her, he buried her alive and she was holding onto her dolphin." Left with only memories, this grieving father has made it his life's mission to never let another child suffer.

Thanks to lobbying on the part of Mark Lunsford, the Florida legislature passed and Florida governor Jeb Bush signed the Jessica Lunsford Act. Under this act, which went into effect in September 2005, anyone 18 or older convicted of molesting a child under age 12 will face a required 25-years-to-life sentence. If they are ever released, they then face a lifetime of tracking device-monitored supervision.

"I think that the best thing we can do is lock [child sex offenders] up for life. I think the system has really failed its people. We've waited too long to make changes. Every time we lose a child, we lose part of our future, a part that we're never going to know about," says Mark.

"And I think every time we lose a child, we reinforce the lie to ourselves," adds Oprah. "I know that sounds very harsh, but I think we do. How can we say we're a country that cares about children? How can we say in our hearts that we really do care about children and then consistently turn our backs?"

Andy Kahan, director of Houston's Crime Victims Unit, is a former probation officer for sex offenders and knows how their devious minds work. "They're extremely calculating, they're devious, they're cunning, they're secretive, they're diabolical," Andy says. "They know how to play the game. They know exactly what they're doing. They plan, they manipulate and they cultivate. These are a different breed of felon than you'll ever have to deal with."

In one particularly chilling episode, authorities found a journal inside a convicted sex offender's jail cell. In the journal—what they're now calling the "Molester's Manual"—he had laid out a step-by-step plan to find his next victims.

One of these frightening fantasies involved finding his prey in a hospital emergency room: "Park in hospital parking lot. Look for families with girls. Be sure family is small. Not too many adults. Be sure children see you. Stand near counter as if speaking with parents. Tell her you need to be strong. Walk the girl to your car. Say, 'We're going to eat. Remember, we must get some food for your parents, too.'"

Andy says of the half-million sex offenders on the streets, about 25 percent—roughly 100,000 sex offenders—are not in compliance with their rules and conditions of parole, probation and registry. "That is a national public safety health crisis," Andy says.

Jeannette Tamayo never knew she was being watched as she walked home alone from her school bus stop. A few minutes after getting home from school, she answered a knock at the door. "There was a man there that I had never seen before," Jeannette recounts. "He asked me a couple of questions and then a little bit later I started closing the door. He pushed his way in and I got scared. He took me to my brother's room."

Jeannette was assaulted, handcuffed, bound and put inside of a box. Just then, Jeannette's mom and brother arrived home. The attacker brutally beat them both and left with Jeannette, taking her captive. He repeatedly tortured her over a series of days.

Amazingly this 9-year-old girl made a brave decision to outsmart her attacker, David Montiel Cruz, so that, she says, he wouldn't be able to "hurt another child the same way he hurt me."

Jeannette figured out a way to slip out of her handcuffs. She grabbed some trinkets that had Cruz's fingerprints on them and then put her handcuffs back on. She then told Cruz that she had asthma and a contagious disease. He released her, but, Jeannette says, "He said, 'If you tell anyone about me or something I'm going to come back and kill your family and then kill you.'"

Police were shocked not only in the way that Jeannette was freed, but by the amount of evidence she'd collected. "When I started taking all the evidence out of my pocket, their mouths just dropped," she says. Jeannette led investigators to her kidnapper's front door. The judge called this one of the most horrific crimes he had ever seen and sentenced David Montiel Cruz to more than 100 years in prison.

While knowing she prevailed over Cruz empowers her, frightening memories still haunt Jeannette three years later. "When I see the stories in the news about other missing children, I start to cry," she says. "I prayed for Jessica and Shasta."

There are an estimated 100,000 sex offenders in America who are living as fugitives. You can make a difference. You can help find them before they harm one more child. Oprah has created Oprah's Child Predator Watch List, a place to track down wanted child sex offenders. View photos and stats of some of our country's most dangerous sexual criminals. "Memorize their faces," Oprah says, "because you could be the one to save a child—it just took one person to save Shasta. Here is my pledge: I plan to work with law enforcement officials, and if they tell me that you turned in one of these fugitives—or were instrumental in helping them get one of these fugitives we are exposing—and that information leads to the capture and arrest of one of these men, I will personally give a $100,000 reward."

Friday, October 07, 2005

DAYS OF PLENTY

Days of Plenty
Music by Jason Howland; Lyrics by Mindi Dickstein
(from Little Women the Musical)

I never dreamed of this sorrow,
I never thought I'd have reason to lament,
I hoped I'd never know heartbreak,
How I wish I could change the way things went!
I wanted nothing but goodness,
I wanted reason to prevail,
Not this bare emptyness.
I wanted Days of Plenty.

But I refused to feel tragic,
I am aching for more than pain and grief.
There has got to be meaning,
Most of all when a life has been so brief.
I have got to learn something,
How can I give her any less?
I want life to go on.
I want Days of Plenty

You have to believe,
There is reason for hope.
You have to believe 
That the answers will come.
You can't let this defeat you.
I won't less this defeat you.
You must fight to keep her there,
Within you!

So believe that she matters!
And believe that she always will!
She will always be with you!
She'll be part of the days you've yet to feel!
She will live in your bounty!
She will live as you carry on your life!

So carry on,
Full of hope,
She'll be there,

For all your days of plenty

Wednesday, October 05, 2005

WHO AM I?


Broadway.com's new column, True Confessions of A Broadway Actor is a great new feature written by an anonymous, real working Broadway performer! Check it out to get a peek into the life on the Great White Way!

Tuesday, October 04, 2005

GIVE THEM WHAT THEY WANT

My dad sent me this article from the NY Times. Yes folks, as you know, Broadway is coming to Las Vegas...at a Wynn casino near you. I find this big push from the Great White Way to the Hot-ass Desert an interesting trend. After a show finishes it's run on Brodway, it often times will go on tour, bringing a taste of New York City to the rest of the country. West coast fans of commercially successful shows like Avenue Q and Spamalot unfortunately will have to wait until the 12th of Never for the aforementioned shows to hit their towns. Instead, they must make a trek to "The Great Desert Way" to see abbreviated versions of these shows. It has been noted that both Spamalot and The Phantom of the Opera have indicated they will perform cut-down versions of their respective shows while audience members will still be paying nearly $100 per ticket. While this doesn't seem fair to audience members, there is a very legitimate reason: "casino contract allows actors to play 10 performances a week, instead of 8, for the same salary." Upon first hearing the information of an abbreviated show, I feared it would compromise the integrity, but now I'm more concerned about any actor playing 10 shows a week (8 as it is seems pretty rough, but 10!?)

With 10 shows a week playing in Vegas -- "the 40 million visitors a year, three-quarters of whom attend at least one show during their [trip]" -- is a great deal of exposure for the musical theatre genre, but at what cost? On the state of Broadway, leading theatre critic, Ben Brantley said, "So much of the Broadway audience now is tourists who want to approximate the experience of going to a theme park...people come to New York to see a 'jukebox musical'..." and the feeling is likely more so the case in Vegas. While there are creative advantages in a new and larger permenant space in Vegas vs. a truck & road show, there are also issues that makes the musical theatre snob in me worry...selling out. How will it (or will it) compromise the integrity of the original shows running on Broadway? Will potential audience members pan the lack of pyrotechnic bells and whistles of the original shows while instead opting for it's Las Vegas showgirl-type counterpart?

I highly doubt the lights of Broadway will ever truly dim, but what happens when the guaranteed audiences for these "jukebox musicals" surpass the box office records of anything on Broadway? While I'm thrilled to see these shows coming to Vegas, there's something about going to see a show on Broadway, in the old theatres that just can't be replicated in an 18,000 seat auditorium. Something is just lost there. Anyhow, looking at the shows coming to Vegas, it is obvious Vegas is looking for a "jukebox musical" because I just can't see Sweeney Todd making a big mark in the desert.

* * *

Broadway Shows currently in Las Vegas:
Avenue Q (Wynn)
Mama Mia! (Mandalay Bay)


Coming Soon:
Spamalot (2007 at Wynn)
Hairspray (2006 at Luxor)
The Phantom of the Opera (2007 at Paris)
Moving Out (not formally announced yet)
Wicked (not formally announced yet)

Failed:
EFX (starring Michael Crawford)
Starlight Express
Miss Spectacular (though publicized, never materialized)

Monday, October 03, 2005

THIS IS MY COUNTRY

Maureen referred readers to world66.com on her site. World66.com generates an image based on the states you've been to within the good ole U.S. of A. Who knew I'd been to so much of the mid-west, right? Well, I did a whole trip through the mid-west as a kid touring all of the Laura Ingalls Wilder homestead locales. In the late 80s, my family and I were still one of few Asians driving from Walnut Grove, Minn. to DeSmet, S.D. We received several confused stares from the locals and were even interviewed for the evening news in Walnut Grove, asking if we came from Tokyo to see one of Laura Ingalls Wilder's homesteads. Imagine the looks on their faces when we said we were from Southern California!

Though a native Californian, I must say, the East Coast remains my favorite part of our country. There's nothing like New York City...at any time of the year (at least to me)...that and Maui. :)




Related Posts with Thumbnails