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Showing posts with label oprah. Show all posts
Showing posts with label oprah. Show all posts

Wednesday, November 16, 2005

SOMETIMES WHEN YOU DREAM

Well whaddya know, Oprah has done it again! As I expected, an appearance on The Oprah show has caused a spike in ticket sales for The Color Purple on Broadway. Advanced ticket sales for both single ticket and group sales have each reached $1 million. Naturally, the show is well represented on Oprah's website with a ticker clock down to the very second before the show opens at The Broadway Theatre. It will certainly be interesting to see how the show does...financially it will have a decent run, but how will the Broadway community react to it? Will it be any different than any musical this season or are my expectations...different because of who is involved?

I suspect that the show will do relatively well for a few reasons. It goes without saying that Oprah's name above the title as the sole presenting producer is the best publicity a show could ask for. As I mentioned above, the show will easily sell out for a decent amount of time. I wonder though, if people who are going to see the show are going because they really remeber the film or the novel as being as incredible to them as it was to Oprah. Or do they even care/remember? Likely not because much of society has such faith in Oprah's words that they will do whatever she says. She is a trustworthy source and has been so for the last 20 years that people really do have blind faith in her. Heck, cattlemen freaked out a few years ago after a comment she made on her show about mad-cow disease, so it is obvious just how influential we think she can be on society.

Just because Oprah has attached her name to a Broadway show, how does this now affect the greater Broadway community? Artistically, it will likely not affect anyone/thing. There are shows out there like Jersey Boys (based on the life of Frankie Valli & The Four Seasons) which I personally think was produced only to attract tourists to Broadway with a familiar tune. I really don't think Jersey Boys is for the true Broadway aficionado. Though I haven't actually seen said show, it is to me, just another pop-songbook show whose intent is to reach more of the music fans versus the theatre fan. In recent years, audiences from Broadway to Vegas have seen shows like, Mamma Mia!, Movin' Out, Lennon, We Will Rock You, while the only show with any real staying power being Mamma Mia!. What is that will set The Color Purple apart from other shows? How will the show's book and score measure up?


Of the book writer and composer/lyricist team, only Pulitzer Prize winning Playwright, Marsha Norman (bookwriter) has any real experience working on the Broadway stage. Though they haven't written for the stage, the compser/lyricist team of Brenda Russell, Allee Willis and Stephen Bray are each known for their mainstream songwriting contributions. Is it right for me, a theatre snob, to penalize the composer/lyricist team for their lack of writing for the stage or to applaud them for branching out to write for a new genre? Look at David Yazbek. He was known for his work for everything other than in the Broadway genre, but he has written some of the most clever and witty lyrics in The Full Monty and more specifically in Dirty Rotten Scoundrels. I think, his work is refreshing and a great addition to the Broadway landscape. When he first burst onto the scene with The Full Monty, I wanted to look down on him, but I couldn't because he followed up a decent show with an even better one (Dirty Rotten Scoundrels) both musically and lyrically. Though I not-so-secretly want to judge Russell, Willis and Bray, I should give the trio a fair chance to prove (in my own mind at least) that their work belongs on the Broadway stage.

In an attempt to heed my own advice, I took a careful listen to The Color Purple's title song and briefly studied some of the lyrics (a sample is below) and found it lyrically, to be much more descriptive than I thought it was in my first listen because I unfairly judged the song the first time around. The music from the show is catchy based on the three downloadable tracks on the show's official website.

It's hard to find a good Broadway show these days worthy of praise. There is a lot of crap out there and very few jems which is why so many shows are being revived. Though I doubt that The Color Purple will be thought of as a classic show in years to come, so far, I think it is decent and probaly one of the better debuts this coming Broadway season (particularly if you compare it to what else is set to debut this season -- see the 2005-06 announced Broadway season on Broadwaystars.com). I suspect, that the show will do well at Tony Awards, Oprah or no Oprah. As I said before, if Oprah is bringing a renewed awareness to the Broadway stage nationwide...then by golly I'm all for it and...brava, Madame!


* * *

The Color Purple

by: Russell, Willis and Bray


...God is the flowers and everything else.

That was a ‘ever will be.

And when you feel the truth so real.

And when you love the way you feel,

You’ve found it.

Just as sure as moonlight blessed the night.


Rising like the sun.

Is the hope that sets me free.

My whole world begin to shine.

When we share love.


It take a grain of love,

To make a mighty tree.

Even the smallest voice,

Can make a harmony.

Like a drop of water,

Keep the river high.

There are miracles for you and I.


Like the blade of corn,

Like a honey bee,

Like a waterfall,

All a part of me.


Like the color purple,

Where do it come from?

Now my eyes are open

Look what God has done!...


* * *


Wednesday, November 09, 2005

A PERFECT PAIR

What do you get when you combine my favorite form of entertainment with one of my favorite public people? The cast of the musical The Color Purple on The Oprah show of course! Ahhh, the press for The Color Purple begins and what a way to kick off the fun festivities than an appearance on executive producer, Oprah Winfrey's show, Friday, November 11!

An appearance on The Oprah show is guaranteed to cause a spike in ticket sales. Look at the sales in Oprah's Book Club and her Favorite Things show -- these items sell out in the blink of an eye! Maybe an appearance on The Oprah show will not only cause a spike in ticket sales for The Color Purple but help boost publicity for The Great White Way in general.

* * *

By Ernio Hernandez
08 Nov 2005

Alongside pop songstress Beyoncé, the cast of Broadway's upcoming musical The Color Purple will appear on their presenting producer's talk show, "Oprah Winfrey Show," Nov. 11.

"We're filming her show Nov. 8 and I think it airs Nov. 11," producer Scott Sanders previously told Playbill.com (Oct. 12) about the upcoming episode. The date has now been confirmed. Check your local listings for times.

The TV show will feature a clip of the moment when the musical's cast learned about Winfrey's involvement with the musical — at a rehearsal where Winfrey made a surprise appearance.

"The only person I told was [director] Gary Griffin," Sanders revealed at a press preview where the company rehearses at the New 42nd Street Studios. "She took her jet in, we hid in the next room. And I came in and asked the cast to get on the stage and said 'Someone called me out of the blue about a week ago and said they really love the show and heard great things about it from friends and she wants to get involved and I want you to meet your newest producer.' That door opened, Oprah Winfrey walked in and the cast went insane."

Based on Alice Walker's Pulitzer Prize-winning novel and the Steven Spielberg film of the same name, the new musical began previews at the Broadway Theatre Nov. 1 toward an official opening Dec. 1.

Gary Griffin stages the work featuring a book by Pulitzer Prize-winner Marsha Norman ('night, Mother). Music is by pop songwriters Brenda Russell, Allee Willis and Stephen Bray.

Spanning over 40 years, The Color Purple is "an inspiring family saga that tells the unforgettable story of a woman, who, through love, finds the strength to triumph over adversity and discover her unique voice in the world," as a release states. The show's score blends "gospel, jazz, ragtime and the blues."

Oprah Winfrey, who appeared as Sofia in the 1985 Steven Spielberg film version opposite Whoopi Goldberg as Celie and Danny Glover as Albert, is the sole above the-title producer. The Color Purple's Broadway producing team also includes Scott Sanders, Roy Furman, Quincy Jones, Creative Battery, Anna Fantaci & Cheryl Lachowicz, Independent Presenters Network, Lowy Family Group, Stephanie McClelland, Gary Winnick, Jan Kallish, Andrew Asnes & Adam Zotovich and Todd Johnson.

Tickets for The Color Purple are currently on sale through (212) 239-6200, via the link below or at the Broadway Theatre Box Office at 1681 Broadway. For more information, visit the website at www.colorpurple.com.

Tuesday, October 11, 2005

NO MORE

Oprah is changing the world one step at a time, one person at a time. She uses her fame and publicity for good...to help not only women, but society see that they are worth something. She teaches self-confidence -- something we all struggle with at some point in our lives, literacy, philanthrophy, financial freedom, emotional understanding, relationships, mind and body because I think she does care about the future of our society. I really do believe that despite her fame and fortune, she has seen hard times in her life and knows what it is like to struggle. Oprah, I believe, unites humanity through her heart and good-will with the hope of somehow positively affecting one person, which leads to two and then multiplies affecting as many as possible.

The most heartbreaking moment I have seen on TV in a long time was when Oprah united women whose families were violated by a child predator with the two women who turned in the molestor. Oprah is using her own tragedy of being molested for the first four years of her life by various men, to heal in her own way, by making it her mission in life to put away these predators. She is using her television show as a forum to help bring awareness to this tragedy, to change the law, change the world and protect children. She makes me believe there is hope in the world for some goodness.

I believe that Oprah can change the world...she is saving children, saving their lives and saving the future of our society, one person at a time.

* * *
The following story comes from Oprah's website, from the show, October 4, 2005: Kidnapped by a Pedophile: The Shasta Groene Tragedy. Please note that the story is heartbreaking...read it so you know what goes on in our country...read it to help children.

America's Shame:

You see it regularly on nightly newscasts, innocent children abducted, raped and murdered. Polly Klaas, Megan Kanka, Carlie Brucia, Jessica Lunsford, Amber Hagerman, Samantha Runnion—all brutally tortured and killed by sexual predators.

"I have had enough. With every breath in my body, whatever it takes and, most importantly, with you by my side, we are going to move heaven and earth to stop an evil that's been going on for far too long," says Oprah. "The children of this nation are being stolen, raped, tortured and killed by sexual predators who are walking right into your homes. How many times does it have to happen? How many children must be sacrificed? What price are we willing to pay before we take to the streets and say, 'Enough!'"

On May 16, sheriffs arrive at a sinister crime scene in Coeur d'Alene, Idaho. There they discover the bludgeoned bodies of Brenda Groene, her boyfriend, Mark McKenzie, and her 13-year-old son Slade. The horror is magnified as Brenda's ex-husband, Steve, is hit with more gut-wrenching news: his youngest children, 9-year-old Dylan and 8-year-old Shasta, are missing. Within hours, a nationwide search is underway for the children and the depraved predator who killed their family.

Six agonizing weeks after the murders, a surveillance camera captures Shasta in a convenience store with a man named Joseph Duncan. Later that night, Duncan enters a Denny's restaurant with Shasta. The manager calls 911. Within minutes, police descend upon the restaurant and capture Joseph Duncan. Two days later, detectives find young Dylan's charred remains at a remote Montana campsite.

The police report of Shasta's ordeal is a parent's living hell. Shasta told police that she was in bed when her mother woke her up and told her to come to the living room. Her mother, mother's boyfriend, and 13-year-old brother Slade were bound with zip ties and duct tape while Shasta watched. Then she and Dylan were tied up outside near a swing set. She told police that she could hear screams from inside the house as the three were bludgeoned to death.

Shasta says that she was taken to a remote campsite in the mountains. Shasta said Joseph Duncan bragged to her about the killings. Shasta said he even showed her the hammer that he had used to bludgeon her family. Shasta told police that she was repeatedly sexually molested.

They also learn that Joseph Duncan has an appalling record of violent sexual crimes against children.

Joseph Duncan's story begins in Tacoma, Washington, where he first showed signs of disturbing deviant behavior. At the age of 16, Duncan was accused of raping a younger boy at gunpoint. Duncan was sent to a mental hospital for treatment, but he refused to cooperate and was sentenced to a maximum of 20 years in jail. He only served 12 years before being released on parole.

Duncan was classified as a Level III sex offender, the most dangerous and likely to re-offend. At first he followed the rules, reporting regularly to his parole officer—but after two years, he slipped from sight. For months Duncan lived on the run, bouncing from state to state. Authorities believe that during this time he may have killed two girls in Seattle and raped and murdered a 10-year-old boy in California. When police finally caught up with Duncan in Missouri, they threw him in jail for violating parole. Four years later, he was out again.

Duncan settled in Fargo, North Dakota, registering as a sex offender as Megan's Law requires. Then, at a school playground in Minnesota, a man matching Duncan's description molested two young boys. Police suspected Duncan of the crime, and he was arrested and appeared before Judge Thomas Schrader. Despite Duncan's chilling record of sexual violence against children and his history of violating parole, Judge Schrader set bail at just $15,000—the judge claims he never knew the full extent of Duncan's sadistic past—and Duncan wrote a personal check and walked out of jail a free man. The online diary Duncan maintained began to read like postcards from hell: "It is a battle between me and my demons," he wrote. "I'm afraid…if they win, then a lot of people will be badly hurt."

Shasta's father, Steven Groene, says that Shasta is in generally good health and has returned to her regular activities. "She's been riding horses a lot," he says, "and swimming and playing with her friends. A county fair was just in town so she did that a couple days, and she's getting ready to go back to school." Steve says that he is working with therapists and prosecutors to handle Shasta's recovery as sensitively as possible.

Recently, Steve sat in the courtroom with Joseph Duncan to witness his not guilty plea." [The not guilty plea] was pretty much anticipated by everybody," Steve says. "It's a death penalty case, so it was highly unlikely he was going to go in there and say, 'Guilty.' The thing that bothered me the most is that he didn't speak at all. His lawyers did all the talking for him."

Prosecutors are seeking the death penalty for Joseph Duncan. "I believe that's what is deserved in this case," Steve says, "and I am a believer in the death penalty. I believe if you take somebody's life, you should give yours in return. This guy took four lives and, unfortunately, we can only kill him once."

In February 2005, Jessica Lunsford became yet another victim to this evil sickness. Jessica, who we came to know as the adorable girl in the pretty pink hat, was reportedly taken from her bedroom, raped and buried alive just steps away from her home.

The alleged killer, convicted sex offender John Couey, was living right across the street. Jessica's heartbroken father, Mark, remembers two of his daughter's most prized possessions: her pink hat and her stuffed dolphin.

"It was purple and it had a white belly and when he took her out of here, he let her take her dolphin with her. And when they found her, he buried her alive and she was holding onto her dolphin." Left with only memories, this grieving father has made it his life's mission to never let another child suffer.

Thanks to lobbying on the part of Mark Lunsford, the Florida legislature passed and Florida governor Jeb Bush signed the Jessica Lunsford Act. Under this act, which went into effect in September 2005, anyone 18 or older convicted of molesting a child under age 12 will face a required 25-years-to-life sentence. If they are ever released, they then face a lifetime of tracking device-monitored supervision.

"I think that the best thing we can do is lock [child sex offenders] up for life. I think the system has really failed its people. We've waited too long to make changes. Every time we lose a child, we lose part of our future, a part that we're never going to know about," says Mark.

"And I think every time we lose a child, we reinforce the lie to ourselves," adds Oprah. "I know that sounds very harsh, but I think we do. How can we say we're a country that cares about children? How can we say in our hearts that we really do care about children and then consistently turn our backs?"

Andy Kahan, director of Houston's Crime Victims Unit, is a former probation officer for sex offenders and knows how their devious minds work. "They're extremely calculating, they're devious, they're cunning, they're secretive, they're diabolical," Andy says. "They know how to play the game. They know exactly what they're doing. They plan, they manipulate and they cultivate. These are a different breed of felon than you'll ever have to deal with."

In one particularly chilling episode, authorities found a journal inside a convicted sex offender's jail cell. In the journal—what they're now calling the "Molester's Manual"—he had laid out a step-by-step plan to find his next victims.

One of these frightening fantasies involved finding his prey in a hospital emergency room: "Park in hospital parking lot. Look for families with girls. Be sure family is small. Not too many adults. Be sure children see you. Stand near counter as if speaking with parents. Tell her you need to be strong. Walk the girl to your car. Say, 'We're going to eat. Remember, we must get some food for your parents, too.'"

Andy says of the half-million sex offenders on the streets, about 25 percent—roughly 100,000 sex offenders—are not in compliance with their rules and conditions of parole, probation and registry. "That is a national public safety health crisis," Andy says.

Jeannette Tamayo never knew she was being watched as she walked home alone from her school bus stop. A few minutes after getting home from school, she answered a knock at the door. "There was a man there that I had never seen before," Jeannette recounts. "He asked me a couple of questions and then a little bit later I started closing the door. He pushed his way in and I got scared. He took me to my brother's room."

Jeannette was assaulted, handcuffed, bound and put inside of a box. Just then, Jeannette's mom and brother arrived home. The attacker brutally beat them both and left with Jeannette, taking her captive. He repeatedly tortured her over a series of days.

Amazingly this 9-year-old girl made a brave decision to outsmart her attacker, David Montiel Cruz, so that, she says, he wouldn't be able to "hurt another child the same way he hurt me."

Jeannette figured out a way to slip out of her handcuffs. She grabbed some trinkets that had Cruz's fingerprints on them and then put her handcuffs back on. She then told Cruz that she had asthma and a contagious disease. He released her, but, Jeannette says, "He said, 'If you tell anyone about me or something I'm going to come back and kill your family and then kill you.'"

Police were shocked not only in the way that Jeannette was freed, but by the amount of evidence she'd collected. "When I started taking all the evidence out of my pocket, their mouths just dropped," she says. Jeannette led investigators to her kidnapper's front door. The judge called this one of the most horrific crimes he had ever seen and sentenced David Montiel Cruz to more than 100 years in prison.

While knowing she prevailed over Cruz empowers her, frightening memories still haunt Jeannette three years later. "When I see the stories in the news about other missing children, I start to cry," she says. "I prayed for Jessica and Shasta."

There are an estimated 100,000 sex offenders in America who are living as fugitives. You can make a difference. You can help find them before they harm one more child. Oprah has created Oprah's Child Predator Watch List, a place to track down wanted child sex offenders. View photos and stats of some of our country's most dangerous sexual criminals. "Memorize their faces," Oprah says, "because you could be the one to save a child—it just took one person to save Shasta. Here is my pledge: I plan to work with law enforcement officials, and if they tell me that you turned in one of these fugitives—or were instrumental in helping them get one of these fugitives we are exposing—and that information leads to the capture and arrest of one of these men, I will personally give a $100,000 reward."

Monday, September 26, 2005

THE COLOR PURPLE


As if Oprah Winfrey weren't cool enough to begin with, she has joined the producing team of Broadway's upcoming musical adaptation of The Color Purple. More on this topic later...

* * *

Oprah Winfrey Joins Producers of Broadway's The Color Purple Musical Adaptation
By Ernio Hernandez

Oprah Winfrey — the television celebrity-entrepreneur who starred in the film of the Pulitzer Prize-winning novel — has joined the producing team of Broadway's upcoming musical adaptation of The Color Purple.

Based on Alice Walker's book and the Steven Spielberg film of the same name, the new musical begins previews at the Broadway Theatre Nov. 1 toward an official opening Dec. 1. The show's title will now reflect the addition of Forbes magazine's most powerful celebrity with the moniker Oprah Winfrey Presents: The Color Purple.

Gary Griffin stages the work featuring a book by Pulitzer Prize-winner Marsha Norman ('night, Mother). Music is by pop songwriters Brenda Russell, Allee Willis and Stephen Bray.
The Color Purple is "an inspiring family saga that tells the unforgettable story of a woman, who, through love, finds the strength to triumph over adversity and discover her unique voice in the world," as a release states. The show's score blends "gospel, jazz, ragtime and the blues."

The Broadway show will receive $1 million of its $10 million capitalization from Winfrey, reported the New York Times. The TV talk show's name recognition and support is expected to bolster the show's box office numbers in the same way her book club selections buoy book sales. As a built-in promotion benefit, the collaboration is also expected to produce an appearance of Broadway cast members on her nationally syndicated talk show.

The surnameless star LaChanze (Once on This Island, Ragtime, Company) reprises her turn as the story's central character Celie from the world premiere at Atlanta's Alliance Theatre in fall 2004. Broadway newcomer Elisabeth Withers appears as Shug with Renée Elise Goldsberry (The Lion King) featured as Nettie, joining original Atlanta stars Felicia P. Fields as Sofia and Kingsley Leggs as Mister. (Saycon Sengbloh originally played Nettie with Adriane Lenox as Shug in Atlanta.)

The cast also features Brandon Victor Dixon as Harpo, Krisha Marcano as Squeak and includes Jeannette Bayardelle, James Brown III, Eric L. Christian, Latrisa Coleman, Bobby Daye, Carol Dennis, Anika Ellis, Doug Eskew, Bahiyah Sayyed Gaines, Zipporah Gatling, Charles Gray, Stephanie Guiland-Brown, James Harkness, Francesca Harper, Kimberly Ann Harris, Chantylla Johnson, Grasan Kingsberry, Corinne McFarlane, Kenita R. Miller, JC Montgomery, Lou Myers, Angela Robinson, Nathaniel Stampley, Jamal Story, Leon Thomas III, Maia Nkenge Wilson and Virginia Woodruff.

Donald Byrd choreographs for the musical. Orchestrations are by Jonathan Tunick, Kevin Stites is music supervisor and Linda Twine serves as musical director. The Color Purple design team features John Lee Beatty (scenic), Brian MacDevitt (lighting), Paul Tazewell (costume) and Jon Weston (sound).

Winfrey joins The Color Purple Broadway producers which includes Scott Sanders, Roy Furman, Quincy Jones, Creative Battery, Freddy DeMann & Stephanie McClelland, Anna Fantaci & Cheryl Lachowicz, Independent Presenters Network, Lowy Family Group, Gary Winnick, Andrew Asnes & Adam Zotovich, Jan Kallish and Todd Johnson.
The novel by Walker was adapted for the screen in 1985 under the direction of Steven Spielberg. The movie version starred Whoopi Goldberg as Celie, Oprah Winfrey as Sofia and Danny Glover as Albert.

Tickets for The Color Purple are currently on sale through (212) 239-6200 through (212) 239-6200 or via the link below. The Broadway Theatre Box Office, 1681 Broadway, opens Oct. 3.

For more information and exclusive clips of songs provided by Playbill.com, visit the website at www.colorpurple.com.


Wednesday, September 21, 2005

HAVE A NICE DAY

I think Jon Bon Jovi is one of the most humble people in the music business. Today, while watching Oprah at work (as I often do because I can), I was struck by how generous a man he is. Jon Bon Jovi the man doesn't define his rock star status as the measure of his life because it is only part of his life. Instead, his life is measured by the quality of his life -- being a father and making a difference by giving back because of the opportunities he's been afforded. As co-owner of the Philadelphia Soul he is finding ways to give back to the community by volunteering his time with Northern Home Children and Family Serivces.

Bon Jovi (the man, not the group) worked with the Gap to give the children of Northern Home $300 worth of school uniform clothes (these kids are so poor they couldn't afford clothes to go to school) as well as with other organizations for school supplies and 50 computers for the Northern Home organization. As one person, Bon Jovi is affording these young people an opportunity to make something of their lives when their environment dictates otherwise. As if that weren't enough, Bon Jovi (the band) pleged their dedication to social consiousness taking the proceeds from their upcoming album and building four houses for Habitat for Humanity. During the show, Jon said, "What motivates me at this point in my career, is the idea of continuing to give back. Without giving back, how can you go on?" Just when you are impressed with everything this man and his band have done thus far, he presents yet another gift, this time to Oprah to continue her "good deeds" with a check for $1 million to Oprah's Angel Network.

I am guilty of having preconceived notions of celebrities (particularly "rock stars"), especially living in this town. Not to say that most "celebrities" don't care about helping others, but sometimes I see their willingness to help as being conditional -- if they do good deed then somehow it will help their reputation and give them positive publicity which in turn helps their career. Yet, after seeing Jon Bon Jovi, I didn't see that, I saw goodness and generous heart in his actions to make a difference. Richie Sambora told Oprah, that they as a band, "give to live" and I must say, that philosiphy was very apparent. Today, I was feeling really stressed and tired aboutvarious things, but after watching Jon Bon Jovi's interview on Oprah, I suddenly feel invigorated...if only more people could have hearts as big as theirs...

Oprah summed it up at the end of the show when she said to the band, "I love your music, but I love your hearts more."

Monday, May 23, 2005

SEEING IS BELIEVING...

...and I don't. Anyone who saw Oprah today has got to doubt the relationship between Tom and Katie. For someone who is so in love, why on earth is Tom publicizing something so "sacred" and "special" on one of the most popular shows with one of the widest reaches? While their relationship might be true, it's gonna take an awful lot to convince me. Tom, your sister is certainly a creative publicist and I wonder if it was his or Katie's publicist who came up with the idea. Really though, I am willing to be sold on the idea that they are "in love" but right now, I don't see it. I see someone over-acting their feelings which makes me wonder, I see a pair that just doesn't look so comfortable together...I watched the couple and I felt it was over-done. Please Tom and Katie, I would love to be happy for you, but right now, I didn't believe what I saw. Tone it down just a tad and maybe then...
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